
A | The countdown has officially begun for the sixth edition of the much-awaited Filmfare OTT Awards 2025, set to take place in Mumbai on December 15, 2025. As excitement builds for an evening dedicated to celebrating outstanding talent in acting, direction and technical artistry, Filmfare is now revealing this year’s nominations. Spanning 38 diverse categories, the list highlights the creativity, innovation and excellence, shaping India’s streaming landscape. With anticipation growing amongst creators and audiences alike, the announcement sets the stage for a memorable ceremony honouring exceptional contributions across the world of digital entertainment.
Here are the nominations for Filmfare OTT Awards 2025:
In This Article
BEST SERIESBEST DIRECTOR, SERIESBEST ACTOR, SERIES (MALE): DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST SUPPORTING ACTOR, SERIES (MALE ): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE ): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE ): COMEDYBEST STORY, SERIESBEST DIALOGUE, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST COMEDY (SERIES/SPECIALS)BEST (NON FICTION) ORIGINAL (SERIES/SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ADAPTED SCREENPLAY, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST MUSIC ALBUM, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE, WEB ORIGINAL FILMBEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST SERIES
BLACK WARRANT
FREEDOM AT MIDNIGHT
IC 814: THE KANDAHAR HIJACK
KHAUF
PAATAL LOK SEASON 2
THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE
BEST DIRECTOR, SERIES
ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK)
AVINASH ARUN DHAWARE (PAATAL LOK SEASON 2)
NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
NIKKHIL ADVANI (FREEDOM AT MIDNIGHT)
PANKAJ KUMAR & SURYA BALAKRISHNAN (KHAUF)
PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)
VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT, ROHIN RAVEENDRAN(BLACK WARRANT)
BEST ACTOR, SERIES (MALE): DRAMA
AMIT SIAL (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
JAIDEEP AHLAWAT (PAATAL LOK SEASON 2)
KAY KAY MENON (SHEKHAR HOME)
ROSHAN MATHEW (KANKHAJURA)
VIJAY VARMA (IC 814: THE KANDAHAR HIJACK)
ZAHAN KAPOOR (BLACK WARRANT)
BEST ACTOR, SERIES (FEMALE): DRAMA
AADITI POHANKAR (EK BADNAAM AASHRAM S3 PART 2)
MAANVI GAGROO (HALF LOVE HALF ARRANGED SEASON 2)
MONIKA PANWAR (KHAUF)
RASIKA DUGAL (SHEKHAR HOME)
SAMANTHA RUTH PRABHU (CITADEL: HONEY BUNNY)
SHABANA AZMI (DABBA CARTEL)
BEST SUPPORTING ACTOR, SERIES (MALE ): DRAMA
ANURAG THAKUR (BLACK WARRANT )
ISHWAK SINGH (PAATAL LOK SEASON 2)
PARAMVIR SINGH CHEEMA (BLACK WARRANT)
RAHUL BHAT (BLACK WARRANT)
RAJAT KAPOOR (KHAUF)
RAJENDRA CHAWLA (FREEDOM AT MIDNIGHT)
BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA
DIVYA DUTTA (BANDISH BANDITS SEASON 2)
GEETANJALI KULKARNI (KHAUF)
NIMISHA SAJAYAN (DABBA CARTEL)
PATRALEKHAA (IC 814: THE KANDAHAR HIJACK)
SHEEBA CHADHA (BANDISH BANDITS SEASON 2)
TILLOTAMA SHOME (PAATAL LOK SEASON 2)
BEST ACTOR, SERIES (MALE): COMEDY
AMOL PARASHAR (GRAM CHIKITSALAY)
BARUN SOBTI (RAAT JAWAAN HAI)
GAJRAJ RAO (DUPAHIYA)
JITENDRA KUMAR (PANCHAYAT SEASON 4)
RAGHUBIR YADAV (PANCHAYAT SEASON 4)
SPARSH SHRIVASTAVA (DUPAHIYA)
BEST ACTOR, SERIES (FEMALE): COMEDY
ANANYA PANDAY (CALL ME BAE)
ANJALI ANAND (RAAT JAWAAN HAI)
NEENA GUPTA (PANCHAYAT SEASON 4)
PRIYA BAPAT (RAAT JAWAAN HAI)
SHIVANI RAGHUVANSHI (DUPAHIYA)
SUNITA RAJWAR (PANCHAYAT SEASON 4)
BEST SUPPORTING ACTOR, SERIES (MALE ): COMEDY
AKASH MAKHIJA (GRAM CHIKITSALAY)
ASHOK PATHAK (PANCHAYAT SEASON 4)
CHANDAN ROY (PANCHAYAT SEASON 4)
DURGESH KUMAR (PANCHAYAT SEASON 4)
FAISAL MALIK (PANCHAYAT SEASON 4)
VINAY PATHAK (GRAM CHIKITSALAY)
BEST SUPPORTING ACTOR, SERIES (FEMALE ): COMEDY
AKANSHA RANJAN KAPOOR (GRAM CHIKITSALAY)
ANJUMAN SAXENA (DUPAHIYA)
GARIMA VIKRANT SINGH (GRAM CHIKITSALAY)
RENUKA SHAHANE (DUPAHIYA)
SANVIKAA (PANCHAYAT SEASON 4)
SONALI KULKARNI (OOPS AB KYA?)
BEST STORY, SERIES
CHANDAN KUMAR (PANCHAYAT SEASON 4)
CHIRAG GARG & AVINASH DWIVEDI (DUPAHIYA)
PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)
SMITA SINGH (KHAUF)
SUDIP SHARMA (PAATAL LOK SEASON 2)
VASANT NATH, NEHA VEENA SHARMA (ZIDDI GIRLS)
BEST DIALOGUE, SERIES
ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK)
CHIRAG GARG & AVINASH DWIVEDI (DUPAHIYA)
PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)
SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT)
SMITA SINGH (KHAUF)
SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)
BEST ORIGINAL SCREENPLAY, SERIES
CHANDAN KUMAR (PANCHAYAT SEASON 4)
PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)
SMITA SINGH (KHAUF)
SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)
BEST COMEDY (SERIES/SPECIALS)
CALL ME BAE (COLIN D'CUNHA)
DUPAHIYA (SONAM NAIR)
GRAM CHIKITSALAY (RAHUL PANDEY)
OOPS AB KYA? (PREM MISTRY & DEBATMA MANDAL)
PANCHAYAT SEASON 4 (AKSHAT VIJAYWARGIYA & DEEPAK KUMAR MISHRA)
RAAT JAWAAN HAI (SUMEET VYAS)
BEST (NON FICTION) ORIGINAL (SERIES/SPECIAL)
ANGRY YOUNG MEN (NAMRATA RAO)
FABULOUS LIVES VS BOLLYWOOD WIVES SEASON 3 (UTTAM RAMKRISHNA DOMALE)
FOLLOW KAR LO YAAR SEASON 1 (SANDEEP KUKREJA)
IN TRANSIT (AYESHA SOOD)
THE ROSHANS (SHASHI RANJAN)
VIR DAS: FOOL VOLUME (VIR DAS)
BEST FILM, WEB ORIGINAL
AGNI
CTRL
GIRLS WILL BE GIRLS
SECTOR 36
STOLEN
THE MEHTA BOYS
BEST DIRECTOR, WEB ORIGINAL FILM
ADITYA NIMBALKAR (SECTOR 36)
BOMAN IRANI (THE MEHTA BOYS)
KARAN TEJPAL (STOLEN)
RAHUL DHOLAKIA (AGNI)
SHUCHI TALATI (GIRLS WILL BE GIRLS)
VIKRAMADITYA MOTWANE (CTRL)
BEST ACTOR, WEB ORIGINAL FILM (MALE)
ABHISHEK BACHCHAN (KAALIDHAR LAAPATA)
ABHISHEK BANERJEE (STOLEN)
ISHWAK SINGH (BERLIN)
MANOJ BAJPAYEE (DESPATCH)
NAWAZUDDIN SIDDIQUI (COSTAO)
PRATIK GANDHI (AGNI)R MADHAVAN (AAP JAISA KOI)
VIKRANT MASSEY (SECTOR 36)
BEST ACTOR, WEB ORIGINAL FILM (FEMALE)
ANANYA PANDAY (CTRL)
KRITI SANON (DO PATTI)
PREETI PANIGRAHI (GIRLS WILL BE GIRLS)
SANYA MALHOTRA (MRS)
SHEEBA CHADHA (KAUSHALJIS VS KAUSHAL)
TAAPSEE PANNU (PHIR AAYI HASSEEN DILLRUBA)
YAMI GAUTAM (DHOOM DHAAM)
BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)
AVINASH TIWARY (THE MEHTA BOYS)
DAIVIK BAGHELA (KAALIDHAR LAAPATA)
DEEPAK DOBRIYAL (SECTOR 36)
JITENDRA JOSHI (AGNI)
SHAHEER SHEIKH (DO PATTI)
SHUBHAM VARDHAN (STOLEN)
BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)
ARRCHITA AGARWAAL (DESPATCH)
AYESHA RAZA (AAP JAISA KOI)
KANI KUSRUTI (GIRLS WILL BE GIRLS)
MIA MAELZER (STOLEN)
SAIYAMI KHER (AGNI)
SOHA ALI KHAN (CHHORII 2)
BEST ADAPTED SCREENPLAY, SERIES
ABHINANDAN GUPTA, ADWITIYA KARENG DAS, GUNDEEP KAUR & REVANTA SARABHAI (FREEDOM AT MIDNIGHT)
ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK)
CHANDAN ARORA, SANDEEP JAIN (KANKHAJURA)
NAGESH KUKUNOOR, ROHIT BANAWLIKAR & SRIRAM RAJAN (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT)
BEST CINEMATOGRAPHER, SERIES
AVINASH ARUN DHAWARE (PAATAL LOK SEASON 2)
EESHIT NARAIN (DABBA CARTEL)
EWAN MULLIGAN & RAVI KIRAN AYYAGARI (IC 814: THE KANDAHAR HIJACK)
PANKAJ KUMAR (KHAUF)
SANGRAM GIRI (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
SAUMYANANDA SAHI (BLACK WARRANT)
BEST PRODUCTION DESIGN, SERIES
SUMIT BASU, SNIGDHA BASU, RAJNISH HEDAO (IC 814: THE KANDAHAR HIJACK)
MUKUND GUPTA (BLACK WARRANT)
MUKUND GUPTA (PAATAL LOK SEASON 2)
NITIN ZIHANI CHOUDHARY (KHAUF)
PAYAL GHOSE KAUL (THE ROYALS)
PRIYA SUHASS, SURABHI VERMA (FREEDOM AT MIDNIGHT)
SHRUTI GUPTE (DABBA CARTEL)
BEST EDITING, SERIES
AMARJIT SINGH (IC 814:THE KANDAHAR HIJACK)
CHANDRASHEKHAR PRAJAPATI (GRAM CHIKITSALAY)
FAROOQ HUNDEKAR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
MANAS MITTAL & PARIKSHHIT JHA (DABBA CARTEL)
SANYUKTA KAZA (PAATAL LOK SEASON 2)
TANYA CHHABRIA (BLACK WARRANT)
TANYA CHHABRIA (KHAUF)
BEST COSTUME DESIGN, SERIES
AASTHA SHARMA (THE ROYALS)
AYESHA DASGUPTA (FREEDOM AT MIDNIGHT)
GOPIKA GULWADI (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
ROHIT CHATURVEDI (DABBA CARTEL)
VISHAKHA KULLARWAR, JOE MANSOORI (IC 814: THE KANDAHAR HIJACK)
BEST BACKGROUND MUSIC, SERIES
ADITYA N. & NAYANTARA BHATKAL (THE ROYALS)
ALOKANANDA DASGUPTA (KHAUF)
ASHUTOSH PHATHAK (FREEDOM AT MIDNIGHT)
NAREN CHANDAVARKAR & BENEDICT TAYLOR (PAATAL LOK SEASON 2)
SOUUMIL SHRINGARPURE (BANDISH BANDITS SEASON 2)
ALEX LAMY & RICHARD HARVEY (IC 814: THE KANDAHAR HIJACK)
BEST MUSIC ALBUM, SERIES
AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2)
ALEX LAMY & RICHARD HARVEY (IC 814: THE KANDAHAR HIJACK)
ANURAG SAIKIA (PANCHAYAT SEASON 4)
ANURAG SAIKIA, MADHUBANTI BAGCHI, AMARABHA BANERJEE, RAJ SHEKHAR, VARUN JAIN, ROMY (MISMATCHED SEASON 3)
GAURAV RAINA & TARANA MARWAH (DABBA CARTEL)
SHIVAM & ANUJ (YEH KAALI KAALI ANKHEIN SEASON 2)
BEST VFX, SERIES
DIPEN BHASKAR & VIVEK DEY (IC 814: THE KANDAHAR HIJACK)
PHANTOM FX (KHAUF)
YFX (YRF STUDIOS) (MANDALA MURDERS)
BEST SOUND DESIGN, SERIES
ANITA KUSHWAHA (IC 814: THE KANDAHAR HIJACK)
BIGYNA DAHAL (KHAUF)
KUNAL LOLSURE (BANDISH BANDITS SEASON 2)
PRANAV SHUKLA (DABBA CARTEL)
TONY BABU (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
VINIT D'SOUZA (PAATAL LOK SEASON 2)
BEST STORY (WEB ORIGINAL FILM)
AVINASH SAMPATH (CTRL)
BOMAN IRANI & ALEXANDER DINELARIS (THE MEHTA BOYS)
KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN)
MADHUMITA (KAALIDHAR LAAPATA)
RAHUL DHOLAKIA (AGNI)
SHUCHI TALATI (GIRLS WILL BE GIRLS)
BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)
AVINASH SAMPATH (CTRL)
BODHAYAN ROYCHAUDHURY (SECTOR 36)
BOMAN IRANI & ALEXANDER DINELARIS (THE MEHTA BOYS)
RAHUL DHOLAKIA (AGNI)
SHUCHI TALATI (GIRLS WILL BE GIRLS)
BEST DIALOGUE, WEB ORIGINAL FILM
ADITYA DHAR (DHOOM DHAAM)
AMITOSH NAGPAL (KAALIDHAR LAAPATA)
KANIKA DHILLON (PHIR AAYI HASSEEN DILLRUBA)
RADHIKA ANAND & JEHAN HANDA (AAP JAISA KOI)
SUMUKHI SURESH (CTRL)
VIJAY MAURYA (AGNI)
BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)
DEBOJEET RAY (AAP JAISA KOI)
ISSHAAN GHOSH (STOLEN)
K U MOHANAN (ISC) (AGNI)
KRISH MAKHIJA (THE MEHTA BOYS)
SAURABH GOSWAMI (SECTOR 36)
SIDDHARTH DIWAN (ISC) (DESPATCH)
BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)
SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI)
APARNA SUD (AAP JAISA KOI)
AVYAKTA KAPUR (GIRLS WILL BE GIRLS)
SHRUTI GUPTE (DESPATCH)
SUBRATA CHAKRABORTY & AMIT RAY (SECTOR 36)
YASHIKA GOR (CTRL)
BEST EDITING (WEB ORIGINAL FILM)
DEEPA BHATIA (AGNI)
JAHAAN NOBLE (CTRL)
MANAS MITTAL & SAMARTH DIXIT (DESPATCH)
NAMAN ARORA & HEMAL KOTHARI (DO PATTI)
A SREEKAR PRASAD (SECTOR 36)
BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)
ARPAD BONDY (STOLEN)
GULRAJ SINGH (THE MEHTA BOYS)
JUSTIN PRABHAKARAN (AAP JAISA KOI)
PIERRE OBERKAMPF (GIRLS WILL BE GIRLS)
SHOR POLICE- CLINTON CEREJO & BIANCA GOMES (DHOOM DHAAM)
SNEHA KHANWALKAR (CTRL)
BEST SOUND DESIGN (WEB ORIGINAL FILM)
DHRUV PAREKH (CTRL)
PM SATHEESH & MANOJ M GOSWAMI (AGNI)
PRASENJIT DAS, COLIN FAVRE- BULLE, CAROLE VERNER & LAURE ARTO (GIRLS WILL BE GIRLS)
PRITAM DAS (DESPATCH)
SUSMIT BOB NATH (STOLEN)
Also Read: Filmfare OTT Awards 2025 - Winners, Nominees, and Highlights。 (ECNS) — From artificial intelligence reshaping the workplace to the rapid growth of industries such as integrated circuits, aerospace and biomedicine, Chinese students studying abroad are facing an increasingly diverse set of choices about what comes after graduation — and where they want to build their future. Those questions were at the center of a recent gathering of representatives from Chinese student associations at overseas universities, held at the headquarters of the Western Returned Scholars Association (WRSA) in Beijing. Discussions ranged from career opportunities in China to the role students can play in fostering greater understanding across cultures. One practical question ran throughout the event: How can young people with international experience make the most of new opportunities emerging in China? Xu Chen, executive director for campus and international business at Zhaopin.com, described the changing workplace as moving from a “human-driven” model toward “human-AI collaboration” and, increasingly, an “AI-driven” one. Artificial intelligence is not simply changing existing jobs, he said. It is also reshaping the skills employers value, making the ability to work effectively with AI and apply professional expertise to real-world problems increasingly important. China’s changing industrial landscape is opening up new possibilities as well. Xu pointed to integrated circuits, aerospace, biomedicine, high-end equipment manufacturing, industrial software and intelligent connected vehicles as areas offering strong prospects. Emerging fields such as quantum technology, biomanufacturing, hydrogen energy and nuclear fusion could create further opportunities. For Chinese students studying abroad, these trends are creating new links between the skills and perspectives they acquire overseas and the needs of fast-growing industries in China. But careers were only part of the conversation. Another recurring theme was how students living and studying overseas can help bridge cultural gaps through everyday interaction. At a roundtable on cross-cultural communication, returned graduates and representatives of Chinese student associations discussed how students can help their international peers gain a more nuanced understanding of China. Representatives from student organizations in six countries also shared experiences of campus life, community-building and exchanges with local students and communities. Sun Xinglun, vice president of the Association of Chinese Students and Scholars at Yale, said meaningful communication does not always require grand narratives. A celebration of a Chinese festival, a campus cultural event or even an everyday conversation with a classmate can provide a window into China. Rather than simply explaining China to others, students can begin with subjects their peers are genuinely interested in and draw on their own experiences of studying and living abroad. Such personal exchanges can make cross-cultural communication more natural and relatable. Chinese student associations are also taking on broader roles on overseas campuses. Beyond helping new arrivals adjust to university life, many organize academic events, career programs, cultural activities and community initiatives that bring Chinese students into closer contact with their universities and local communities. In doing so, students are not simply participants in campus life. Their experience of moving between languages, social environments and cultural perspectives can put them in a unique position to connect people who might otherwise have few opportunities to interact. For many participants, studying abroad is therefore about more than earning a degree. It is also about learning how different societies work, understanding different ways of thinking and becoming comfortable communicating across cultural boundaries. Whether they eventually return to China or continue their studies and careers overseas, those experiences can become an asset in an increasingly interconnected world. The program also included sharing sessions on overseas study experiences and employment trends for graduates returning to China. Participants later visited an exhibition tracing the more than century-long history of the Western Returned Scholars Association and the experiences of generations of Chinese who studied overseas before returning to contribute to the country’s development.
。
Current article:http://orkq.ningshunsaotuiqiao.shop/list_lc1636d/pmt.html
Published on:21:44:45